ISCI is a cross-disciplinary research centre working to further our understanding of state crime: organisational deviance violating human rights

The Outing of Torturers in Argentina: Civil Society and the Ongoing Fight Against Impunity.

Escrache A Videla

Buenos Aires, Argentina, 18 March 2006, 4 pm. People were given maps and fliers: ‘Escrache a Videla’, organised by the members of a certain organisation called ‘H.I.J.O.S.’. Dozens of mostly young people had begun to converge on the designated street corner: ‘Avenida Santa Fe y Luis María Campos’. They had prepared their signs, placards, photographs, and banners. The air was tense with anticipation. The noise of drums and whistles was persitent. Suddenly the activist marchers broke out in unison: ‘Attention, attentition, attention neighbours! There is a torturer living next door!’[1]

On 30 October 1983, the dictatorship came to an end in Argentina and democratic elections were held, marking the return of civilian rule. Shortly after, members of the military began to be brought to trial and sentenced to imprisonment. But the need for accountability was frustrated when President Raúl Alfonsín’s Government—under threat of a new military coup d’état—enacted the 1986 Ley de Punto Final[2] and the 1987 Ley de Obediencia Debida,[3] both of which afforded immunity from prosecution to members of the former regime. Moreover, just two years later, President Carlos Menem, who felt that the support of the military would benefit his party as well as the country, granted a pardon to already convicted or still indicted members of the junta.

As a result, people had to share societal spaces—such as streets, restaurants, bars, hotels, official ceremonies, and even significant public office[4]—with hundreds of represores.[5] This meant that face to face encounters between victims and their former torturers were rendered possible.[6] This kind of ‘daily crime’[7] allowed an unhealthy tolerance for criminality to develop—what Kaiser calls the ‘normalisation of living with represores’[8]—which, in turn, led to what has been described as a ‘social trauma.’[9] For example, although amnesty laws did not cover the stealing of babies born in captivity,[10] one of the most disturbing forms of this ‘normalisation’ was that some Argentines were willing to allow the represores to keep the children they had kidnapped after torturing and disappearing their biological parents.[11] As Kaiser explains: ‘These attitudes reveal a distortion of public values, a legacy of terror left behind by the dictatorship.’[12]

But Argentine civil society refused to turn its back on the search for truth and justice. Of course, there was the famous organisation of the Madres y Abuelas de la Plaza de Mayo who continued, and still continue, to seek clarification of the fate and whereabouts of the disappeared. But they were no longer alone. As visually emphasised at a march in June 1996 commemorating 1,000 Thursdays of their weekly marches, the mothers and grandmothers were followed by a contingent of H.I.J.O.S. (Hijos e Hijas por la Identidad y la Justicia contra el Olvido y el Silencio),[13] an organisation of the children of the people who disappeared or were forced into exile during the dictatorship. At that event, the daughters and sons were walking well behind their elders, suggesting that the ‘disappeared’ were marching in-between and, thus, allowing the missing generation to be ‘metaphorically and powerfully present.’[14]H.I.J.O.S.—like the Madres y Abuelas—claim ‘institutional justice, not private vengeance.’[15] More particularly, the children of the disappeared challenge the artificial and premature reconciliation resulting from the vagaries of amnesties: they want Juicio y Castigo (‘Justice and Punishment’). As such, they have developed an effective communication strategy, namely escraches[16]—from the verb escrachar, an Argentine slang term meaning roughly ‘to expose’ or ‘uncover’.[17]

Through the escraches movement, H.I.J.O.S. have disturbed the peaceful impunity enjoyed by former military officers who benefited from the amnesty laws of the 1980s. Escraches publicly expose torturers and killers to neighbours, colleagues, passers-by and the community. Once their protective shield of anonymity is torn away, the represores become trapped in ‘metaphorical jails’ throughout Argentina.[18] The targets of escraches range from little-known physicians who assisted in torture sessions to General Videla, the military leader of the Junta between 1976 and 1981.[19] The motto of H.I.J.O.S. is: Si no hay Justicia, hay Escraches—‘If there is no Justice, there is Outing.’[20] This is particularly emphasised in the following testimony of a member of H.I.J.O.S.:

‘‘We, the children of the disappeared, are not guilty for what is happening in the Argentine society […] What we can do is to preserve the history of our parents […] We must seek after the moral sentencing of the murderers. And bring off the social punishment. So that the country will be a prison for them […]’’[21]

Usually, escraches are loud, festive but serious, provocative and mobile demonstrations involving 300 to 500 people.[22] The marchers invade the surroundings of a clandestine torture center or the neighbourhood of the person being ‘escrachado’ (‘outed’) and inform the community about what this place used to be or who their neighbour really is, handing out fliers with the perpetrator’s photograph, name, address, current occupation, place of work, and information about the human rights violations in which he is implicated. There are also vans with loudspeakers, churning out music and running commentary such as, ‘Neighbours, listen up! Did you know that you live next to a concentration camp/an assassin?’ or ‘Just like the Nazis it will happen to you, wherever you go we will go after you.’[23]

The demonstrations end outside the escrachado’s homes where eggs are tossed at his door, red paint is thrown at his façade, slogans are written on the walls and yellow footprints are painted on the sidewalks.[24] The doorstep can be washed and the stains on the house and pavement can be erased, but the ‘social marks’ now worn by the escrachado will remain.[25] Typically, the effects are felt by the represor the following days: ‘That’s when the baker won’t sell him bread, the taxi won’t pick him up, the newspaper won’t come to his house.’[26]

Escraches are extremely well organised. About a month before the outing event, H.I.J.O.S. prepares the community for the action. Helped by activist artists such as Grupo Arte Callejero, protesters post street signs and provide alternate maps of Argentina’s socio-historical space: ‘Aqui viven genocidas’—‘Here live genocide perpetrator’ (see below).[27] When the time for the escrache arrives, many neighbors enthusiastically join the demonstrations or wave from their balconies, looking down at the massive spectacle. Others close their curtains or retreat inside their house.[28] Is this latter reaction due to indifference or, maybe, fear? After all, some escraches have already been violently suppressed by former criminals under siege who requested—and received—police support. According to Kaiser, this is ‘an unmistakable sign of both their impact and the continuing loyalties and connections the represores could rely upon within the police force.’[29]

This sign is part of the Grupo de Arte Callejero’s larger project displayed at the ‘Parque de la Memoria’—a public institution situated in the city of Buenos Aires, on the shores of the Río de la Plata—named ‘Carteles de la Memoria’ (1999-2010), a urban intervention made of 53 road signs, measuring 2.6 m each.

 

 

 

 

 

 

 

 

 

 

 

 

Clearly, escraches are an effective instrument of the fight against impunity. But more than that, they are part of Argentina’s current battle over memory. Indeed, for the children of the disappeared who grew up without their parents, memory is also a political project[30]: ‘[T]ruth and accountability are debated, and different historical explanations compete for hegemony. The escraches act as alternative history textbooks, overcoming the legacy of silence and fear that has resulted in a fragmented, decontextualised knowledge of the dictatorship era.’[31] As Nora has argued, ‘It is up to each generation to rewrite its generational history.’[32] In the political process of the reconstruction of a common history after the return of democracy in Argentina,[33] the ‘children of the disappeared generation’ started transmitting its memory through a process that resembles ‘contagion’:[34]

‘‘Traumatic experience may be transmittable, but it is inseparable from the subject who suffers it.’’[35]

But, H.I.J.O.S.’s communication strategy doesn’t stop there: By revealing the human rights violators’ identity and whereabouts, escraches force people to leave their society’s bystander role.[36] The fight for truth and accountability is not a task reserved only for the direct victims of the repression and their families, it is a responsibility that is incumbent on all civil society. That fight has not been won yet. In the meantime, the children of the disappeared vows to maintain the escraches until justice has been served and memory preserved.

 


[2] The Full Stop Law No 23,492 of December 12, 1986 stopped prosecution of such cases.
[3] The Due Obedience Law No 23,521 of June 4, 1987 granted immunity in such cases to all members of the military except those in positions of command.
[4] For example, impunity made it possible for a man such as General Bussi, who was in charge of dozens of concentration camps, to run as governmental candidate for the province of Tucuman, in Kordon, D. R. (1991) ‘Impunity’s Psychological Effects: Its Ethical Consequences’, Journal of Medical Ethics, Vol. 17, Supplement, p. 31.
[5] Represores is a generic term for torturers, assassins, ‘disappearers’ of people, and their accomplices, in Kaiser, S. (2002) ‘Escraches: Demonstrations, Communication and Political Memory in Post-Dictatorial Argentina’, Media, Culture & Society, Vol. 24, No. 4, p. 500.
[6] Ciancaglini, S. and Granowsky, M. (1995) Nada más que la Verdad, Buenos Aires: Planeta, p.348; Kaiser, S. (2002) ‘Escraches: Demonstrations, Communication and Political Memory in Post-Dictatorial Argentina’, Media, Culture & Society, Vol. 24, No. 4, p. 592; Kaiser, S. (2005) ‘To Punish or to Forgive? Young Citizens’ Attitudes on Impunity and Accountability in Contemporary Argentina’, Journal of Human Rights, Vol. 4, No. 2, p. 176.
[7] Stirnemann, S. (2002) ‘L’Escrache des H.I.J.O.S.: Une Pratique de la Mémoire Subversive’, INRP. Mémoire et Histoire, Paris: H.I.J.O.S, p. 1.
[8] Kaiser, S. (2002) ‘Escraches: Demonstrations, Communication and Political Memory in Post-Dictatorial Argentina’, Media, Culture & Society, Vol. 24, No. 4, p. 502.
[9] La Capra, D. (2005) Escribir la Historia, Escribir el Trauma, Buenos Aires: Nueva Visión, p. 221.
[10] Kaiser, S. (2002) ‘Escraches: Demonstrations, Communication and Political Memory in Post-Dictatorial Argentina’, Media, Culture & Society, Vol. 24, No. 4, p. 501.
[11] Abuelas de Plaza de Mayo (eds) (1997) Restitución de Niños, Buenos Aires: Eudeba; Arditti, R. and Lykes, M. B. (1997) ‘La Labor de las Abuelas de Plaza de Mayo’, in Abuelas de Plaza de Mayo (eds) Restitución de Niños, Buenos Aires: Eudeba, pp.135-152; Kaiser, S. (2000) ‘Outing Torturers in Postdictatorship Argentina’, NACLA Human Rights Report on the Americas, Vol. XXXIV, No. 1, p. 14; Kaiser, S. (2002) ‘Escraches: Demonstrations, Communication and Political Memory in Post-Dictatorial Argentina’, Media, Culture & Society, Vol. 24, No. 4, p. 503; Kordon, D. R. (1991) ‘Impunity’s Psychological Effects: Its Ethical Consequences’, Journal of Medical Ethics, Vol. 17, Supplement, p. 31.
[12] Kaiser, S. (2000) ‘Outing Torturers in Postdictatorship Argentina’, NACLA Human Rights Report on the Americas, Vol. XXXIV, No. 1, p. 14.
[13] In English: ‘Daughters and Sons for Identity and Justice against Forgetting and Silence’.
[14] Kaiser, S. (2000) ‘Outing Torturers in Postdictatorship Argentina’, NACLA Human Rights Report on the Americas, Vol. XXXIV, No. 1, p. 15.
[15] Taylor, D. (2002) ‘You Are Here: The DNA of Performance’, The Drama Review, Vol. 46, No. 1, p. 163.
[16] Colectivo Situaciones (2000) Especial de Escrache, La Plata: Ediciones de Mano en Mano.
[17] Gobello, J. (1982) Diccionario Lunfardo, Buenos Aires: Pena Lillo Editor; Kaiser, S. (2002) ‘Escraches: Demonstrations, Communication and Political Memory in Post Dictatorial Argentina’, Media, Culture & Society, Vol. 24, No. 4, p. 499; Stirnemann, S. (2002) ‘L’Escrache des H.I.J.O.S.: Une Pratique de la Mémoire Subversive’, INRP. Mémoire et Histoire, Paris: H.I.J.O.S, p. 1; Taylor, D. (2002) ‘You Are Here: The DNA of Performance’, The Drama Review, Vol. 46, No. 1, p. 151.
[18] Kaiser, S. (2002) ‘Escraches: Demonstrations, Communication and Political Memory in Post Dictatorial Argentina’, Media, Culture & Society, Vol. 24, No. 4, p. 512.
[19] Taylor, D. (2002) ‘You Are Here: The DNA of Performance’, The Drama Review, Vol. 46, No. 1, p. 162.
[20] Cueto Rúa, S. (2008) Nacimos en su Lucha, Viven en la Nuestra. Identidad, Justicia y Memoria en la Agrupación HIJOS-La Plata, Trabajo Final de Grado, Universidad Nacional de La Plata, Facultad de Humanidades y Ciencias de la Educación, p. 124. Available at: http://www.memoria.fahce.unlp.edu.ar/tesis/te.426/te.426.pdf.
[21] In Spanish: ‘‘Nosotros los hijos de desaparecidos, no somos culpables de lo que pasa  en la sociedad argentina […] Lo que podemos hacer es rescatar la historia de nuestros padres […] Hay que buscar la condena moral de los asesinos. Lograr el castigo social. Que el país sea una cárcel para ellos […]’’, in Gelman, J. and La Madrid, M. (1996) Ni el Flaco Perdón de Dios, Buenos Aires: Planeta, pp. 169-170.
[22] Cueto Rúa, S. (2008) Nacimos en su Lucha, Viven en la Nuestra. Identidad, Justicia y Memoria en la Agrupación HIJOS-La Plata, Trabajo Final de Grado, Universidad Nacional de La Plata, Facultad de Humanidades y Ciencias de la Educación, p. 125. Available at: http://www.memoria.fahce.unlp.edu.ar/tesis/te.426/te.426.pdf; Kaiser, S. (2002) ‘Escraches: Demonstrations, Communication and Political Memory in Post Dictatorial Argentina’, Media, Culture & Society, Vol. 24, No. 4, p. 511; Taylor, D. (2002) ‘You Are Here: The DNA of Performance’, The Drama Review, Vol. 46, No. 1, p. 150.
[23] Kaiser, S. (2000) ‘Outing Torturers in Postdictatorship Argentina’, NACLA Human Rights Report on the Americas, Vol. XXXIV, No. 1, p. 14; Kaiser, S. (2002) ‘Escraches: Demonstrations, Communication and Political Memory in Post Dictatorial Argentina’, Media, Culture & Society, Vol. 24, No. 4, p. 499; Taylor, D. (2002) ‘You Are Here: The DNA of Performance’, The Drama Review, Vol. 46, No. 1, p. 150.
[24] Kaiser, S. (2000) ‘Outing Torturers in Postdictatorship Argentina’, NACLA Human Rights Report on the Americas, Vol. XXXIV, No. 1, p. 14; Woods, C. and Franklin, J. (2001) ‘Outing Torturers: Activists in Argentina and Chile Are Making Sure Former Dictators and Their Collaborators Don’t Enjoy an Anonymous Retirement’, Mother Jones, Available at: http://www.motherjones.com/politics/2001/06/outing-torturers.
[25] Stirnemann, S. (2002) ‘L’Escrache des H.I.J.O.S.: Une Pratique de la Mémoire Subversive’, INRP. Mémoire et Histoire, Paris: H.I.J.O.S, pp. 1-2.
[26] Woods, C. and Franklin, J. (2001) ‘Outing Torturers: Activists in Argentina and Chile Are Making Sure Former Dictators and Their Collaborators Don’t Enjoy an Anonymous Retirement’, Mother Jones, Available at: http://www.motherjones.com/politics/2001/06/outing-torturers.
[27] Taylor, D. (2002) ‘You Are Here: The DNA of Performance’, The Drama Review, Vol. 46, No. 1, p. 151.
[28] Cueto Rúa, S. (2008) Nacimos en su Lucha, Viven en la Nuestra. Identidad, Justicia y Memoria en la Agrupación HIJOS-La Plata, Trabajo Final de Grado, Universidad Nacional de La Plata, Facultad de Humanidades y Ciencias de la Educación, p. 125. Available at: http://www.memoria.fahce.unlp.edu.ar/tesis/te.426/te.426.pdf; Kaiser, S. (2000) ‘Outing Torturers in Postdictatorship Argentina’, NACLA Human Rights Report on the Americas, Vol. XXXIV, No. 1, p. 15; Taylor, D. (2002) ‘You Are Here: The DNA of Performance’, The Drama Review, Vol. 46, No. 1, p. 150.
[29] Kaiser, S. (2002) ‘Escraches: Demonstrations, Communication and Political Memory in Post Dictatorial Argentina’, Media, Culture & Society, Vol. 24, No. 4, p. 504.
[30] Taylor, D. (2002) ‘You Are Here: The DNA of Performance’, The Drama Review, Vol. 46, No. 1, p. 161.
[31] Kaiser, S. (2000) ‘Outing Torturers in Postdictatorship Argentina’, NACLA Human Rights Report on the Americas, Vol. XXXIV, No. 1, p. 15.
[32] Nora, P. (1996) ‘Generations’, in P. Nora (ed.) Realms of Memory: The Construction of the French Past, New York: Columbia University Press, p. 531.
[33] Anderson, B. (1983) Imagined Communities: Reflections on the Origin and Spread of Nationalism, New York: Verso; Halbwachs, M. (1980) The Collective Memory, New York: Harper & Row; Hobsbawm, E. and Ranger, T. (eds) (1983) The Invention of Tradition, New York: Cambridge University Press; Fentress, J. and Wickham, C. (1992) Social Memory, Oxford: Blackwell; Popular Memory Group (1982) ‘Popular Memory: Theory, Politics, Method’, in R. Johnson, G. McLennan, B. Schwartz and D. Sutton (eds.) Making Histories: Studies in History-Writing and Politics, Birmingham, UK: Hutchinson for the Centre for Contemporary Cultural Studies, p. 234.
[34] Caruth, C. (1995) Trauma: Explorations in Memory, Baltimore: Johns Hopkins University Press, p. 10.
[35] Taylor, D. (2002) ‘You Are Here: The DNA of Performance’, The Drama Review, Vol. 46, No. 1, p. 153.
[36] Kaiser, S. (2000) ‘Outing Torturers in Postdictatorship Argentina’, NACLA Human Rights Report on the Americas, Vol. XXXIV, No. 1, p. 15; Kaiser, S. (2002) ‘Escraches: Demonstrations, Communication and Political Memory in Post-Dictatorial Argentina’, Media, Culture & Society, Vol. 24, No. 4, p. 511.